Mean Streets (1973) USA
Mean Streets Image Cover
Additional Images
Director:Martin Scorsese
Studio:Warner Home Video
Producer:Martin Scorsese, Jonathan Taplin
Writer:Martin Scorsese, Martin Scorsese
Rating:4
Rated:R
Date Added:2006-03-27
ASIN:B000286RP2
UPC:0085391912729
Price:$14.98
Awards:2 wins & 1 nomination
Genre:Suspense
Release:1998-08-24
IMDb:0070379
Duration:111
Picture Format:Widescreen
Aspect Ratio:1.85:1
Sound:Mono
Languages:English, Dolby Digital 1.0
Subtitles:English, French
Features:Anamorphic
Subtitled
Martin Scorsese  ...  (Director)
Martin Scorsese, Martin Scorsese  ...  (Writer)
 
Robert De Niro  ...  John 'Johnny Boy' Civello
Harvey Keitel  ...  Charlie Cappa
David Proval  ...  Tony DeVienazo
Amy Robinson  ...  Teresa Ronchelli
Richard Romanus  ...  Michael Longo
Cesare Danova  ...  Giovanni Cappa
Victor Argo  ...  Mario (as Vic Argo)
George Memmoli  ...  Joey 'Clams' Scala
Lenny Scaletta  ...  Jimmy
Jeannie Bell  ...  Diane
Murray Moston  ...  Oscar (as Murray Mosten)
David Carradine  ...  Drunk
Robert Carradine  ...  Drunk's Killer
Lois Walden  ...  Jewish Girl
Harry Northup  ...  Jerry the Soldier
Robert DeNiro  ...  
Comments: You don't make up for your sins in church. You do it in the streets...

Summary: After Martin Scorsese went to Hollywood in 1972 to direct the low-budget Boxcar Bertha for B-movie mogul Roger Corman, the young director showed the film to maverick director John Cassavetes and got an instant earful of urgent advice. "It's crap," said Cassavetes in no uncertain terms, "now go out and make something that comes from your heart." Scorsese took the advice and focused his energy on Mean Streets, a riveting contemporary film about low-life gangsters in New York's Little Italy that critic Pauline Kael would later call "a true original, and a triumph of personal filmmaking." Starring Robert De Niro and Harvey Keitel in roles that announced their talent to the world, it set the stage for Scorsese's emergence as one of the greatest American filmmakers. Introducing themes and character types that Scorsese would return to in Taxi Driver, GoodFellas, Casino, and other films, the loosely structured story is drawn directly from Scorsese's background in the Italian neighborhoods of New York, and it seethes with the raw vitality of a filmmaker who has found his creative groove. As the irresponsible and reckless Johnny Boy, De Niro offers striking contrast to Keitel's Charlie, who struggles to reconcile gang life with Catholic guilt. More of an episodic portrait than a plot-driven crime story, Mean Streets remains one of Scorsese's most direct and fascinating films--a masterful calling card for a director whose greatness was clearly apparent from that point forward. --Jeff Shannon