Meantime (1984) UK
Meantime Image Cover
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Director:Mike Leigh
Studio:Fox Lorber
Producer:Graham Benson
Writer:Mike Leigh
Rating:3.5
Rated:NR
Date Added:2007-03-06
Purchased On:2007-06-03
ASIN:6305228884
UPC:0720917505626
Price:$29.98
Awards:1 win
Genre:Family Interaction
Release:1999-01-25
IMDb:0082727
Duration:103
Aspect Ratio:1.33:1
Sound:Mono
Languages:English, Unknown
Mike Leigh  ...  (Director)
Mike Leigh  ...  (Writer)
 
Marion Bailey  ...  Barbara
Phil Daniels  ...  Mark
Tim Roth  ...  Colin
Pam Ferris  ...  Mavis
Jeff Robert  ...  Frank
Alfred Molina  ...  John
Gary Oldman  ...  Coxy
Tilly Vosburgh  ...  Hayley
Paul Daly  ...  Rusty
Leila Bertrand  ...  Hayley's Friend
Hepburn Graham  ...  Boyfriend
Peter Wight  ...  Estate Manager
Eileen Davies  ...  Unemployment Benefit Clerk
Herbert Norville  ...  Man in Pub
Brian Hoskin  ...  Barman
Jeffrey Robert  ...  Frank (as Jeff Robert)
Summary: This early Mike Leigh film was made for British television in 1983 (released theatrically in 1985), and introduced both Gary Oldman and Tim Roth. Set in the Thatcher era, the story--typically for Leigh--is more a matter of dramatic evolution than a conventionally realized script. The action revolves around a middle-class family whose male members are all on the government dole, and whose matriarch (Marion Bailey) is long-suffering in the sight of her two sons, one a half-wit (Roth) and the other a cynical bum (Phil Daniels). Oldman plays the latter's skinhead pal, mostly a goof with no future, and Alfred Molina portrays a relative of the brothers strongly resistant to nudging their lives in a more constructive direction. The story, such as it is, is actually a series of discrete, deceptively unambitious, and highly entertaining scenes that could just as easily stand on their own as belong to some greater whole. Leigh, not quite fully baked as a filmmaker in the early 1980s, occasionally engages a rather obvious wit, such as shooting a long take in a laundry room from an angle that favors the sight of a washing machine and ignores the characters from the waist up. The remarkable actors, however, are as deeply immersed in their roles as in any of Leigh's work, and the film is ultimately as moving and funny as one expects from this unique director. --Tom Keogh