Snatch (2000) UK
Snatch Image Cover
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Director:Guy Ritchie
Studio:Sony Pictures
Producer:Matthew Vaughn
Writer:Guy Ritchie
Rating:4.5
Rated:R
Date Added:2007-03-06
Last Seen:2009-01-05
Purchased On:2007-06-03
ASIN:B00003CXS4
UPC:0043396062535
Price:$27.95
Awards:3 wins & 4 nominations
Genre:Comic Criminals
Release:2001-03-07
IMDb:0208092
Duration:103
Picture Format:Widescreen
Aspect Ratio:1.33:1
Sound:Dolby
Languages:English, Dolby Digital 5.1, French, Dolby Digital 2.0 Surround, Commentary by director and producer, Unknown
Subtitles:English, French
Features:Dubbed
Subtitled
Guy Ritchie  ...  (Director)
Guy Ritchie  ...  (Writer)
 
Ade  ...  Tyrone
William Beck (II)  ...  
Andy Beckwith  ...  Errol
Ewen Bremner  ...  Mullet
Jason Buckham  ...  
Mickey Cantwell  ...  
Nikki Collins (II)  ...  
Benicio Del Toro  ...  Franky Four Fingers
Dennis Farina  ...  Abraham 'Cousin Avi' Denovitz
Jason Flemyng  ...  Darren
Alan Ford  ...  Brick Top Polford
Robbie Gee  ...  Vincent
Stephen Graham  ...  Tommy
Lennie James  ...  Sol
Vinnie Jones  ...  Bullet Tooth Tony
Brad Pitt  ...  Mickey O'Neil
Mike Reid  ...  Doug 'The Head' Denovitz
Rade Serbedzija  ...  Boris 'The Blade' Yurinov
Jason Statham  ...  Turkish
William Beck  ...  Neil
Comments: Stealin' Stones and Breakin' Bones

Summary: Usually it might seem a tad unfair to begin a review by referring to the director's missis. But then the missis in question wouldn't usually be Madonna--a woman whose ability to reinvent herself several times before breakfast seems in marked contrast to that of hubby Guy Ritchie. Certainly, this follow-up to the filmmaker's breakthrough film--the high-energy, expletive-strewn cockney-gangster movie Lock, Stock and Two Smoking Barrels--hardly breaks new ground being, well, another high-energy, expletive-strewn cockney-gangster movie. OK, so there are some differences. This time around our low-rent hoodlums are battling over dodgy fights and stolen diamonds rather than dodgy card games and stolen drugs. There has been some minor reshuffling of the cast too, with Sting and Dexter Fletcher making way for the more bankable Benicio Del Toro and Brad Pitt, the latter pretty much stealing the whole shebang as an incomprehensible Irish gypsy. And, sure, people who really, really liked Lock, Stock--or have the memory of a goldfish--will really, really like this. The suspicion lingers, however, that if the director doesn't do something very different next time around then his career may prove to be considerably shorter than that of his missis. --Clark Collis