Alphaville (1965) France, Italy
Alphaville Image Cover
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Director:Jean-Luc Godard
Studio:Criterion
Producer:André Michelin
Writer:Jean-Luc Godard
Rating:4
Rated:NR
Date Added:2006-03-27
ASIN:0780021541
UPC:0037429130926
Price:$29.95
Awards:1 win
Genre:French
Release:1998-10-27
IMDb:0058898
Duration:100
Picture Format:Pan & Scan
Aspect Ratio:1.33:1
Sound:Dolby Digital 2.0 Mono
Languages:French
Subtitles:English
Features:Black & White
Full Screen
Subtitled
Jean-Luc Godard  ...  (Director)
Jean-Luc Godard  ...  (Writer)
 
Eddie Constantine  ...  Lemmy Caution
Anna Karina  ...  Natacha von Braun
Akim Tamiroff  ...  Henri Dickson
Jean-Louis Comolli  ...  
Michel Delahaye  ...  
László Szabó  ...  
Summary: As the French New Wave was reaching its maturity and filmgoing had evolved as a favorite pastime of intellectuals and urban sophisticates, along came Jean-Luc Godard to shake up every convention and send highfalutin critics scrambling to their typewriters. 1965's Alphaville is a perfect example of Godard's willingness to disrupt expectation, combine genres, and comment on movies while making sociopolitical statements that inspired doctoral theses and left a majority of viewers mystified. Part science fiction and part hard-boiled detective yarn, Alphaville presents a futuristic scenario using the most modern and impersonal architecture that Godard could find in mid-'60s Paris. A haggard private eye (Eddie Constantine) is sent to an ultramodern city run by a master computer, where his mission is to locate and rescue a scientist who is trapped there. As the story unfolds on Godard's strictly low-budget terms, the movie tackles a variety of topics such as the dehumanizing effect of technology, willful suppression of personality, saturation of commercial products, and, of course, the constant recollection of previous films through Godard's carefully chosen images. For most people Alphaville, like many of the director's films, will prove utterly baffling. For those inclined to dig deeper into Godard's artistic intentions, the words of critic Andrew Sarris (quoted from an essay that accompanies the Criterion Collection DVD) will ring true: "To understand and appreciate Alphaville is to understand Godard, and vice versa."--Jeff Shannon